Luke Crocker is a researcher with a background in the martial arts beginning in March of 1992. He has a 12 year background in Karate-Dô, and moving on to various martial arts including Kendo, Gong Fu, and many others before settling on Bujinkan Budô Taijutsu after that. After becoming acquainted with a well known researcher, Dr. Kacem Zoughari, he now pursues a path of both pen and sword.
Japanese title: “Tsuki no Shô” (or sometimes “Tsukimi no Shô”) Title in French: “Written in the moonlight” Title in English: “Annotation (s) ) in the moonlight
The “tsuki no sho” is a strategic and philosophical treatise mainly about kenjutsu (saber warfare technique), written by one of the most famous fencers in Japanese history:
Yagyû Jûbei Mitsuyoshi (1607 – 1650). You will find here the complete transcript in modern Japanese. This transcription in modern Japanese comes from the book of Yoshio Imamura, published in April 1995: “Shiryô Yagyû Shinkage-Ryû (Vol.2)” (史料 柳生 新 陰 流 (下 巻)), of which she occupies about the first 70 pages (Pages 9 to 80).
From the Essence of Budō book. There is a second omission in the English translation for the sōjutsu section (p90), under the Menkyo Kaiden Henchō Gata 免許皆伝変蝶型 heading there is a short descriptive paragraph.
Changing butterfly patterns passed from teacher to student
These are the changing butterfly techniques, that is to say as the butterfly dances and plays (flutters) so must you. Move the body to the right and left, turning around the opponent’s side, harmonise and enter in to the space with intent. To fully make use of the spear a person needs to practice and gain competence with all these techniques and to be able to use them together/interchangably.
The above is my translation, the last line being quite difficult to find the best way to express what is written.
Kukishin Ryū Sōjutsu and the Creation Myth of Japan
“Takagi Yōshin-ryū is a style of jūjutsu. Of course it’s not ninjutsu. That is obvious. Historically, the founder of this style, Takagi Oriemon, practiced a school called ‘Takenouchi-ryū’ (竹内流), one of the oldest and most famous traditions of ‘sōgō bujutsu’ (composite martial arts; 総合武術) of Japan. The reason why I say sōgō bujutsu is because you also have weapons. So, sōgō bujutsu in martial arts means ‘general martial art’ or ‘various martial arts’. From one point, a nucleus, they teach many, many weapons. Takagi Oriemon had learned this method with the second generation, but the problem with the Takenouchi family is that they never gave the inner movement, the deepest understanding, to someone from outside of the family. That was one of the main rules back in the 14th and 16th centuries. But he learned enough to create his own style. He received many things and, with that, he had…
Japan has a long history of the bow and arrow. A prestigious weapon when feudal lords were at conflict for the unification of Japan, many bushi were required to learn the art of shooting an arrow, called kyujutsu in Japanese. Several martial schools became famous for their instruction on kyujutsu, such as Yamato ryu and Ogasawara ryu. One school in particular, called Heki ryu, has strong roots in warfare and was systematically devised to be used in the hands of both the elite warriors and infantry. It is unique in that the traditional methods of battlefield tactics is still preserved today, which is visible in the Satsuma style of Heki ryu.
A Japanese bow with arrows, dating back to Edo period. From Wikipedia.
Let’s take a brief look into the history of Heki ryu to understand its roots, and it’s further development as a battlefield-focused archery system under the…
Here we continue with part 2 of the talk on kyujutsu, with the focus on the Satsuma style of Heki ryu. While part 1 focused on Heki ryu’s history and development, this time around we will look at the technical aspect of this archery system. If you have yet to read part 1, you can access it here.
Heki ryu is categorized as a busha style of archery, or battlefield-centric. This involves heavily structured group formations and moving in patterned sequences while shooting at targets in a wide field clad in armor. This is different from the more commonly practiced “reisha”, or ceremonial-centric, style of archery found in schools such as the Ogasawara ryu, where the attire is much lighter, and archery performed either standing up or on horseback. Kyudo, the non-violent form of kyujutsu…
Many years ago (about 15~) in my days of obsessively playing the Tenchu series of video games, I was exploring every nick-and-cranny of all the levels, and in one of the levels that took place in the mountain-top Buddhist monastery, I noticed a small detail where there was this sort of chopping blade sticking out of a block of wood just like a hatchet might.
A few years later I became quite interested in this short battle royal type of anime and manga called Basilisk: Kouga Ninpou Cho (and later the novel that it came from). In it I was drawn to a character named Yashamaru from the Iga clan, and besides his distinct long-distance fighting style, he also carried as similar short cleaver, though between the three forms of media he never uses it, in the anime adaptation he does draw it so that you can see the angle and length (screen shots provided in the slideshow below.
Finally, in around 2008, when I started to take studying Japanese and the ninja more seriously, I acquired a copy of the Shinobi Hiden (or Ninpiden), and before even having a translated copy, I knew what the illustration I was looking at was.
I have seen two different ways to write Nata: the first seems to be the most common way 鉈, and seemingly less common way, 屶.
The first, the dictionary tends to translate as “hatchet”, but that is an evident transliteration to English based on it’s general use. However, when we break the radicals apart we find “stretch” (它) and “metal” (金). In my mind, this gives the image of a simple elongated piece of metal; which could stretch back in history as a tool quite some ways.
The second way, I cannot recall where I got the kanji from initially, but a quick google search shows the very same tool. One doesn’t need a dictionary to see that this kanji easily breaks down to “mountain” (山) and “blade” or “sword” (刀), so some form of mountain blade (see the Tenchu reference above). However, the Japanese dictionaries that I have don’t have this character. Instead, Wiktionary shows that 屶, is a variant form of 會. So in looking at that…
The relevant seal inscription form (see image to the right) is a variant form (through phonosemantics) of 介 “reduce” and 曾 “pile” or “mass” (That’s a bit of an adventure on how it gets there, but current dictionary’s go in a different direction as usual). Thus this character can refer to reducing a pile of something.
Interestingly, 會, which has come to refer to “reducing the space between things”, and as such nowadays means something like “gathering”, “to meet”, etc., and is usually simplified to “awasu” or “awaseru” (会).
Nata in the Shinobi Hiden
In the Shinobi Hiden, it is listed as a “Tetsu” or “Kurogane” (鉄), which basically means “Iron”. I’m not yet sure if the name changed at some point, but the common term for it is currently a “Nata” (鉈), referring to something like a hatchet.
In the Shinobi Hiden, it primarily details the proportions and materials used for it and it’s scabbard. It is even detailed at the end that a hole should be in the end of the scabbard and a “thieves gimbal lantern” can be attached.
What can be inferred
A point of interest is that it details to “Be sure the iron blade is well forged. Do this in case it is used in place of a sword, and thus the blade is of the most importance.” (Cummins, 2011). Though there is a growing opinion that the ninja would not have their own martial art, one can note that a machete or hatchet handles very differently from a sword or spear. As a result, in order to treat this tool as a sword, the biomechanics of ones martial tradition would have to allow for more than a familiarity with swords, spear, halberds, etc. but also a unity of combative methodology between any weapon.
This is precisely what we see in traditions such as Gyokko-ryu, Koto-ryu, Togakure-ryu, and similar traditions that have some part of their history in the Iga region of Japan.
It is important to remember that though such a tool can be weaponized, it is not in itself a weapon and is to this day used by foresters and gardeners alike. Used like both that of a hatchet and a machete. I have herd several accounts now of North American outdoors-men (and women) now preferring the Nata over that of their choppers or hatchets for their every day use.
How the Nata ended up being associated with the ninja in a few video games and anime is honestly beyond me, but for those guys dressed up in black masks and running through the bush with their Filipino machetes, this would be the direction that they would want to go.
The Ninpiden – True Ninja Traditions: And the Unknown Ninja Scroll
Etymological Dictionary of Han/Chinese Characters. By Lawrence J. Howell, Research Collaborator Hikaru Morimoto
llis Amdur has pursued the study of East Asian martial traditions since the late 1960s. He is a licensed instructor in two koryū (classical Japanese martial traditions), the Araki-ryu Torite-Kogusokuand the Toda-ha Buko-ryu. The Araki-ryu is a rugged system that specializes in close combat. It could be termed, “grappling with weapons.” The Toda-ha Buko-ryu specializes in the use of the naginata, a long pole-arm with a curved blade against a variety of weapons. Details about this school, including dojo locations and entry requirements can be found at the Toda-ha Buko-ryu website. Over the years, he has trained in a number of other martial systems, most notably Aikido, Judo, Brazilian jiujitsu.and xingyi chu’an (studying varying lengths of time with Su Dong Chen, Chris Bates and Zhang Yun). Aside from his ongoing koryū training, Amdur has most recently been training in two new areas: the basics of Arrestling, under the instruction…
I humbly consider that this article is currently the most detailed and accurate account of his life in the English language, condensed into one article, with the majority of anomalies and inaccuracies removed.
His sword became one with the god’s; the most supreme Battōjutsu, which would shine throughout history was born.
During the Muromachi period lived a man who would go on to change the art of swordsmanship forever. The legacy he left survived nearly half a millennium, a legacy larger than that of any martial artist in his wake.
On the 12th of January 1542, a boy known as Asano Tamijimaru was born into a warrior family in Hayashizaki village, Tateyama, Dewa no Kuni (Modern day Yamagata Prefecture, Murayama City). His father was Asano Kazuma no Minamoto Shigenari. A retainer to the Mogami family branch who were in charge of the South Eastern part of Dewa, he served Mogami Inaba no Kami Mitsuhide, the sixth Mogami Lord and overall fifteenth Lord of Tateoka Castle, in the Kitamurayama District of Tateoka City. (Modern Yamagata Pref. Murayama City, Tateoka). Asano was known as a…
It has been my observation that I can’t live in an overly comfortable environment; soft carpets, fluffy couches, and generally lulling spaces make me uneasy.
Though I understand that this comes from a complex upbringing that makes me feel that I don’t belong in such an environment, this article by Arnaud presents to me a somewhat different perspective of the dangers of comfort!
I wrote many times about Japan being the country where one makes mistakes.
I arrived Thursday in Japan and made the first one on arrival. That made me think about Ishiki, awareness. (1)
Before I go further on the philosophical lesson learned, let me tell you the story.
Landing in Narita in the afternoon, I was happy to be there. After buying the yen, getting a wifi router, and a bus ticket to Kashiwa, I went for a smoke (yes, I know it’s terrible, but that is not the point here).
With my suitcase in tow and my small backpack, I went to the designated smoking area located outside the building. I let my luggage outside and went into the booth. A few emails needed my attention, and I answered them. Having finished, I went for a coffee.
Fifteen minutes later I felt that something was missing. My suitcase was…